‘The Cellar’ Proves This Traditional Horror Style Is not Useless (But)

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Issues that go bump within the night time not scare us foolish.

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We’ve been inundated with haunted home films over the previous decade, and even the perfect of the bunch can put on out its welcome.

Creaking doorways. Ominous noises. Been there, heard that.

So it’s a miracle that an early, consequential scene in “The Cellar” leaves us breathless. The remainder of the movie can’t match that second, nevertheless it’s nonetheless a first-rate thriller with a bitter sucker punch.

Elisha Cuthbert stars as Keira, mom to an oh, so grumpy teen named Ellie (Abby Fitz). They’ve simply moved right into a standard-issue haunted home (oh, it’s not labeled as such, however come on!), and it’s widened the hole between mama and little one.

The truth that Cuthbert and Fitz sound American, whereas hubbie Brian (Eoin Macken) and their younger son, Stevie (Dylan Fitzmaurice-Brady) have a tangy Irish accent, isn’t given a passable rationalization.

The dad and mom whisk off to a late work assembly, leaving the kids residence alone on this creepy abode. Naturally, the lights exit and poor Ellie should go to … look forward to it … the cellar to search out the fuse field.

This scene, which units the film’s plot in movement, is without doubt one of the creepiest sequences in current reminiscence. Author-director Brendan Muldowney doesn’t trot out any uncommon tips, however the total impact is undeniably tense.

Now, Keira and Brian should discover out the place poor Ellie disappeared to, however the solutions could put everybody in danger.

Some horror films peak too quickly, together with the in any other case slick “A Quiet Place: Part II.” “The Cellar” definitely qualifies, however Cuthbert powers the slower moments together with her maternal energy. She refuses to consider Ellie simply ran off with out warning.

It’s not woke, simply Biology 101.

Keira’s investigation unveils the same old horror tropes, and the looks of the Explainer Man later within the movie hardly separates “The Cellar” from current style efforts.

We’re nonetheless invested in Ellie’s destiny, and the way the film slowly reveals the numerous stakes at play.

RELATED: ‘Housebound’ Brings Laughs, Scares in Equal Measure

Had “The Cellar” soared previous the 90-minute mark we’d lose our endurance. As an alternative, issues wrap briskly, though the ending could go away some audiences chilly, or simply plain chilled.

Stephen McKeon’s rating begins sturdy, and we worry it’s going to overstay its welcome however that by no means occurs. Cuthbert will get stable assist, from the teenager actors in hurt’s method to route that understands the steadiness between thrills and credible developments.

“The Cellar” reveals there’s nonetheless some life left on this exhausted style, assuming the storytellers can reassemble the haunted home puzzle items excellent.

HiT or Miss: “The Cellar” boasts probably the most engrossing scenes in current horror reminiscence, and the remainder of the movie is nice sufficient to maintain up.

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